T.S Eliot Poems is widely regarded as one of the most important poems of the last century. T.S. Eliot, the 1948 winner of the Nobel Prize in Literature, is one of the giants of modern literature.
T.S. Eliot Poems
In 1910 and 1911, while still a college student, he wrote “The Love Song of J. Alfred Prufrock” and other poems that are landmarks in the history of literature.
Although he didn’t write a huge amount of poetry (compared with, his contemporary like, Ezra Pound, whose The Cantos is nearly 800 pages), it can still be difficult for readers to pick out those works which most define him, or which they love best.
And, of course, every Eliot fan’s choice of best of T.S Eliot Poems is likely to differ. Here are our recommendations of Best of T.S Eliot poems.
Morning at the Window
They are rattling breakfast plates in basement kitchens,
And along the trampled edges of the street
I am aware of the damp souls of housemaids
Sprouting despondently at area gates.
The brown waves of fog toss up to me
Twisted faces from the bottom of the street,
And tear from a passer-by with muddy skirts
An aimless smile that hovers in the air
And vanishes along the level of the roofs.
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The Naming of Cats
The Naming of Cats is a difficult matter,
It isn’t just one of your holiday games;
You may think at first I’m as mad as a hatter
When I tell you, a cat must have THREE DIFFERENT NAMES.
First of all, there’s the name that the family use daily,
Such as Peter, Augustus, Alonzo, or James,
Such as Victor or Jonathan, George or Bill Bailey —
All of them sensible everyday names.
There are fancier names if you think they sound sweeter,
Some for the gentlemen, some for the dames:
Such as Plato, Admetus, Electra, Demeter —
But all of them sensible everyday names.
But I tell you, a cat needs a name that’s particular,
A name that’s peculiar, and more dignified,
Else how can he keep up his tail perpendicular,
Or spread out his whiskers, or cherish his pride?
Of names of this kind, I can give you a quorum,
Such as Munkstrap, Quaxo, or Coricopat,
Such as Bombalurina, or else Jellylorum —
Names that never belong to more than one cat.
But above and beyond there’s still one name left over,
And that is the name that you never will guess;
The name that no human research can discover —
But THE CAT HIMSELF KNOWS, and will never confess.
When you notice a cat in profound meditation,
The reason, I tell you, is always the same:
His mind is engaged in a rapt contemplation
Of the thought, of the thought, of the thought of his name:
His ineffable effable
Deep and inscrutable singular Name.
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HE broad-backed hippopotamus
Rests on his belly in the mud;
Although he seems so firm to us
He is merely flesh and blood.
Flesh-and-blood is weak and frail,
Susceptible to nervous shock;
While the True Church can never fail
For it is based upon a rock.
The hippo’s feeble steps may err
In compassing material ends,
While the True Church need never stir
To gather in its dividends.
The ‘potamus can never reach
The mango on the mango-tree;
But fruits of pomegranate and peach
Refresh the Church from over sea.
At mating time the hippo’s voice
Betrays inflexions hoarse and odd,
But every week we hear rejoice
The Church, at being one with God.
The hippopotamus’s day
Is passed in sleep; at night he hunts;
God works in a mysterious way–
The Church can sleep and feed at once.
I saw the ‘potamus take wing
Ascending from the damp savannas,
And quiring angels round him sing
The praise of God, in loud hosannas.
Blood of the Lamb shall wash him clean
And him shall heavenly arms enfold,
Among the saints he shall be seen
Performing on a harp of gold.
He shall be washed as white as snow,
By all the martyr’d virgins kist,
While the True Church remains below
Wrapt in the old miasmal mist.
The winter evening settles down
With smell of steaks in passageways.
The burnt-out ends of smoky days.
And now a gusty shower wraps
The grimy scraps
Of withered leaves about your feet
And newspapers from vacant lots;
The showers beat
On broken blinds and chimney-pots,
And at the corner of the street
A lonely cab-horse steams and stamps.
And then the lighting of the lamps.
The morning comes to consciousness
Of faint stale smells of beer
From the sawdust-trampled street
With all its muddy feet that press
To early coffee-stands.
With the other masquerades
That time resumes,
One thinks of all the hands
That are raising dingy shades
In a thousand furnished rooms.
You tossed a blanket from the bed,
You lay upon your back, and waited;
You dozed, and watched the night revealing
The thousand sordid images
Of which your soul was constituted;
They flickered against the ceiling.
And when all the world came back
And the light crept up between the shutters
And you heard the sparrows in the gutters,
You had such a vision of the street
As the street hardly understands;
Sitting along the bed’s edge, where
You curled the papers from your hair,
Or clasped the yellow soles of feet
In the palms of both soiled hands.
His soul stretched tight across the skies
That fade behind a city block,
Or trampled by insistent feet
At four and five and six o’clock;
And short square fingers stuffing pipes,
And evening newspapers, and eyes
Assured of certain certainties,
The conscience of a blackened street
Impatient to assume the world.
I am moved by fancies that are curled
Around these images, and cling:
The notion of some infinitely gentle
Infinitely suffering thing.
Wipe your hand across your mouth, and laugh;
The worlds revolve like ancient women
Gathering fuel in vacant lots.
Also, note that Eliot was almost as renowned a literary critic as he was a poet. From 1916 through 1921 he contributed approximately one hundred reviews and articles to various periodicals.
This early criticism was produced at night under the pressure of supplementing his meager salary—first as a teacher, then as a bank clerk—and not, as is sometimes suggested, under the compulsion to rewrite literary history. it is no doubt that T.S. Eliot Poems deserved such accolades, as they are so powerful.
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